|
|
 |
[biolabs] Absynth Sounds Vols 1-3
An innovative collection of 400 Absynth presets
|
Biolabs Absynth Sounds is a collection of nearly 400 presets for Absynth
which includes a 300 MB specially-created sample library. The sounds have been
expertly programmed by Biomechanoid, a respected
sound designer and one of the principal authors of both the Absynth and Cameleon
5000 factory sounds. We're giving away 30 free demo presets for you to get a
taste!
The library includes three volumes of 128 sounds: bio:synthesis,
bio:rhythmics and bio:sfx+atmospheres. Every preset has at least four
specially-selected rapid access controllers, giving you fast access to the most
important parameters. The sounds have also been tagged with attributes to make
it easy to search for the sounds you need.
| |
The library comes with a manual
including a brief Absynth tutorial with hints on using the patches and tips for
programming your own sounds. The bank is available either as an instant download
or on CD for a small extra cost ($10.95). Find out more by downloading the 30
free demo presets (the only restriction is that they use mono samples) or scroll
down for demo tunes. Get Absynth Research Sounds and be inspired!
bio:synthesis - is a varied collection of
innovative basses, leads, pads and synths.
|
bio:rhythmics - offers a range of loops
that you can mix in real-time using the specially-programmed controllers.
|
bio:sfx and atmospheres - is a collection
of special effects and atmospheres, perfect for soundtrack work.
|
Feature highlights:
A huge library of nearly 400 presets
300 MB specially-recorded sample library
Rapid access parameters for each patch - perfect for live tweaking.
Attribute tagged to make searching for the presets you require fast and easy
System requirements:
Native Instruments Absynth 4.02 or higher
or KORE 2.
 |
About Biomechanoid |
|
Biomechanoid is a respected sound designer who has worked on a range of
projects, including the factory sounds for Absynth and Cameleon
5000. His work explores the possiblities of new technology, rather than
recreating sounds from the past.
He's composed soundtracks for various film, theatre and multimedia
performances, and has produced music of various styles under a number of names
(including Ammonite, Holistic Systems and Biomechanoid). Find out more at www.universal-communication.net. |
|
'What a great soundset...every patch put a smile on my face. Very
playable stuff, which would be great for performance. I hope it's a big hit, you
deserve it.' - Brian Clevinger (Creator of Absynth)
'He has produced one of the finest collections of sounds available
for the instrument.' - Fitch (Cellist/Composer
National Symphony Orchestra of Ireland)
'The latest patches from Biomechanoid are absolutely
delicious!' - Ned
Bouhalassa, TV and film composer.
'A huge assortment of sounds that will find their way into your
compositions to add dimensions that you could not have created any other way.
Biomechanoid is a SICK programmer - some of his best work for Absynth
yet!' - John Lehmkuhl,
Producer/Composer (for Whitney Houston, Mariah Carey etc.), sound designer for
Korg.
|
 |
 |
 |
Demo Tunes |
| Presets Demo |
A preset by preset demonstration of the wide variety of sounds available in the Vol 1-3 soundset. |
| Biomechanoid |
 |
Assimilating The Green Fairy |
A journey through many musical styles and presets. All sounds (including drums) come from Absynth Research - with variations in sounds provided by tweaking of the 'rapid access' parameters. |
| Biomechanoid |
 |
| When All Else Fails |
This piece was written using just one patch (PAD Final Orbit) in combination with the 'rapid access' controllers. It's an emotional/musical response to the destruction wrought by Katrina. |
| Stephen Wey |
 |
| Incomplete Thoughts |
This short piece showcases the filmic and soundscape uses of the bank. |
| Devon Brent |
 |
| Sweet [Bio] Dreams |
A great cinematic breakbeat tune which shows off basses, strings and lots more. |
| Ned Bouhalassa |
 |
| Llantra |
A beautiful ambient piece from Irish Cellist Fitch. All sounds apart from the live Cello come from the bank. |
| Fitch |
 |
| AbDemo |
Accordian-glitch-funk. Its good ... but its nuts! |
| Wrench45 |
 |
| Bio-Grafik |
This piece showcases a darker ambient side to the bank. |
| Normal |
 |
| Personal Bio |
A rich filmic soundscape piece. |
| Soniccat |
 |
|
 |

"'A huge assortment of sounds that will find their way into your compositions to add dimensions that you could not have created any other way."
- John Lehmkuhl
(Whitney Huston.. sound designer for Korg)
|